The Oasiad


Anyone out there read the Iliad (or seen Troy)? If you have, perhaps you’ll recognize this. It’s a sort of translation of book 18 (with a book 16 flashback) in the style of genius Christopher Logue. It’s still a work in progress (see note below), so let me know if there’s anything that needs changing.

And to those of you who recognize this: Sorry. This MAY look like a duplicate but if you persevere past the first page you’ll see it’s really not 🙂 I’m an insane editor and I fixed it. Big time. Enjoy!

Feet hammering hard on sand.
Thick heels sinking in, slowing his gait.
The head, planted on the stocky neck, droops
As hands push back the animal-hide flap.

“Son of Peleus,” To Achilles.
The warlike hero turns, and
As eye meets eye the voice dies.

But it is used.

“He is dead.”Ears stop hearing.
“A hero’s death, though, to the end. Hector…”
White noise. Words, like silent raindrops, fall
Unheard.

Slow exit. A statue of a king dethroned, he quakes,
Ropes round motionless ankles, marble muscles crack,
Then shatter, raising dirt.

Soundless around him, a million voiceless screams.
They stab his writhing body like spears. You know nothing,
Nothing of pain. Not like him. Tufts of hair in his massive hands,
Redcurrant hair mixed with saltwater and the smell of grief.
Lying in the dust,
The tears carving into his face,
Eyes seeing nothing around him, only the face of Patroclus,
Clawed at, chewed up,
Dead.

Listening below the bolts of grey sea,
Beautiful Thetis. Weeping for her weeping son.

Lavender fills the nose of her wailing child.
“Why, dear Achilles,” she whispers, by his side.
“Why do you cry?” Nymph fingers glide over strands of brown.

“Patroclus—” he collapses against her knee. Hot, angry rain falls on her skin. Tears until nightfall. “They killed him. Patroclus. He was—he,”
Was.
Through hacking, wrenching sobs:
“He took my armour,
Put it on, fooling the Trojans.
And I let him go! He let it reach him,
Eat at his brain, that sweet decay of killing.

I let him go.” His own fists hammering at his body. Reaching for the dagger.
“Stop—“
“No,
Not unless Hector
That rodent son
Of dribbling Priam,
Dies, too.
I’ll cut him
Gouge his eyes out,
Drag him around
Until Trojan sand becomes Trojan skin
And even crows won’t bow their heads to tear at him.”

“But, child, if you are the one to kill him, they will kill you.”

Then let me die!
Heracles, Perseus,
Theseus,

Patroclus.
Let me die.

“No man escapes the fixèd gaze of sullen Death.”

Thetis looked at her son, his face, his strong shoulders.
Too weak.
“Wait my dear, stay by the beach.
I’ll go to Hephaestus, that lord of fire,
And tell him to forge my son
The finest armour in the Ilium.” Cool lips to warm forehead, and silverfoot Thetis slid away.

You enter, late.
Slide through the door, hope nobody hears as you
Shuffle sideways, scuttle into place like the crab you are,
Skulking in the shadow of the octopi.

It’s already started. The footlights in their eyes,
They can’t even see you.

Grand jeté. Arms, legs, fingers tense, poised,
Ready with the spear. Slide the sharpened point between ribs, tearing,
Elegantly, fingertips pull, pull, push-pull, freeing the blade from bloody sinews, still tightly wound.
Victim falls like garbage from a metal monster.
Patroclus, bare toes pivoting on the floor, pirouettes with the knife, arm outstretched,
SCHGLUG. Into the stomach.
Faster, faster,
Head flicking dizzyingly, spotting his next partner.
Muscles contracting,
Lift! And throw.
Gracefully, a dancer falls.
Crumples, a swan with a broken neck.
APPLAUSE! LAUGHTER!
An eye rolls forward, but Patroclus’ foot
Doesn’t even touch it, he won’t be tripped.
Wild smile, savage cry,
The rhythmic stabbing into the crowd
Soldiers drop around him,
Peeling away like petals of a cactus flower,
Bloom for a day, then you’re gone, Patroclus.
At least you’ve made your mark.
A forest of arms, heads, hands, feet, legs,
Rooted in the fallen bodies, lifeless skin still sweating under the hot Trojan sun.

Little boy, little boy, Stab the bloodthirsty bastard,
Princip, out to make his name,
End the war.
Drive it, the spear into his spleen
Bursting bile-sack,
Almost, almost glory.
Run away before he sees who did it.

He stumbles, “It’s over!” “He’s done!”
But it gives a growl, springing back into the fight,
A one-quill porcupine.

Twitch. He’s down. Now’s your chance.
Go.

Hector advances, foxtrot to the right, slide under,
Arm flailing, he falters. Unsure.

Looking over, to Sarpedon,
Fallen hero.
Can you call him that?
Just a mass of dead skin
Blood-crusted, dirt-covered,
Faceless
Skin. Stabbed and torn at, devoured as an army of ants crawls desperately over a single crumb.
Anger floods like acid, eating through his bones.

Go, Hector. Stab. Slice. Hack. Blood on your hands
Slippery, red blood trickling like sweat
From your forehead.
Patroclus’ blood.

Regaining his balance, he leaps,
Sweeping his arm in one perfect arc, spear meets spear,
Straining with the pitiless bronze to tear at each other,
Mangy dogs in the street,
One on top of the other.
Slowly, he eases in the blade.
“Shhh. Shhh.”

Hector, holding him down with the tips of his fingers,
Stares into wide, scared-rabbit eyes. Fear.
RAGE.

“Does it hurt?” He mocks. Lip curls.
Patroclus gurgles.
“Don’t.”
“How are you feeling? Dead? You’re dead, Patroclus. It always catches up to you, you see.
Hector killed you. Tell everyone that. I bring death.
I am death.”
“No,” he said, “That’s,”
Last word, spat out with all his strength and clotted crimson lumps:
“Achilles.”

Blind, Deaf, Hector can only roar,
Ripping the armour off his prey,
Hurling it at the driver,
Leaving the naked corpse.

FTHIT. FTHIT.

While Thetis comforts infant Achilles,
FTHIT.
Bronze tips.
Dodged by instinct,
Reaching cold hands.

Drag him away! “Drag him away!”
Barely a hesitation. He slaughters Reason,
Hitler in his bunker,
Insane
He can only see Spears,
Spears stained for days
With Greek blood, filthy blood,
Leaving a mass of faceless skin.

“I’ve got him!” the voice of Polydamas accompanies
Arms, shoulders,
Buckle under weight,
Expand and drag the dead boy.

Head, gone with one blow.
Stuck on a pole,
Right through the esophagus.
Try and talk now, Patroclus.

Before he can move,
Half-giant Ajax sweeps
Two feet in one great hand.

Low bellow. Almost a word: “Ours.”

“Up, Achilles.” A mist voice whispers, cool spit on rough skin.
Frozen.
“Coward,” it declares.
Hammer to the ice.
Running,
Legs like steel springs. Propel him down the track.

Achilles
Feet planted,
A spire on the dune.
Soft stomach, open stomach.
An invitation.
Watch them fight, murderers,
Without you to save them.
They cannot win, for
You cannot help them.

Voice like Tamahay.

Just scream.

Metal clattering stops.

Thump, Thump, Thump.
Fast breath, in-out
Hop,
Crouch,
Tuck,
Run into the early sunset.

No one saw them drag it away.

“I think,” Polydamas said, “we should retreat.
Achilles’ presence is a sign.
We’ll return to the city,
Behind the wall,
And hide.”

Snarl from Hector.
Strong, rough heels.
Sunk into the sand.

“Are you Greek?
We stay.”
“I have always held your counsel in
Highest
Esteem, Hector, but this once—“
“We stay.
We will not be slaves.
We will not be girls.
We will fight. We will win.”

Priam’s nodding. When he looks at you, those eyes,
Piercing blue bullets shot from a derringer .41,
Commanding and wise and scary as hell
Agreement floods your mind.

Hector and Polydamas.
Face to face.
Nose to nose.

Open your eyes. Slide away
From that body-littered beach
Up
Up
Breathe cool winter-mint air as it stings your nose
And see them, controllers of fate.
Golden chairs in a circle. Fire pit, center.

Watch them ignore you.

Clusters of glass houses. Palaces.
Keep walking—

Dirty clay hut,
Grey from ash.

One is hiding.
Alone.
Hammer, metal, fire.
All he needs, he says.
No one comes near,
Not even his wife, no.
She’s too busy freshening lipstick,
Toying with wire-hair boys.

But Thetis, silver gown,
She enters,
Sings,

“Hephaestus,”—The massive man looks up from below greasy bangs—
“Can you do me a favor?” Coy smile. Wink.
He trembles, her slender hand running up and down his scarred skin. No reply.

“You see,” Soft. Mouth near burnt ear.
“Achilles needs armour. My son, at Troy.”
Grunt.
“My

Husband

Is dead, you know
Mortals—they do that. They get old.
Weak.” Not like you, Hephaestus.
Slim fingers on bulging arms.
Lungs try to open.
Can’t.

“Ok.” Lips almost touch
Almost touch
So close he feels her dewy breath on his hot cheek—

pull away.

“Thanks, Phi-Phi.” Gone.

“Phi-Phi.” Smiles.
He pushes up his flannel sleeves,
Rubs his prickled chin,
Lifts his hammer,

Sparks.

The Little Prince


I’ve been reading the Little Prince in French recently, and it really has a lot of wisdom about what’s important in life. This quote particularly struck me, and I thought I would share:

“Je connais une planète oĂą il y a un Monsieur cramoisi. Il n’a jamais respirĂ© une fleur. Il n’a jamais regardĂ© une Ă©toile. Il n’a jamais aimĂ© personne. Il n’a jamais rien fait d’autre que des additions. Et toute la journĂ©e il rĂ©pète comme toi : « Je suis un homme sĂ©rieux! Je suis un homme sĂ©rieux! » et ça le fait gonfler d’orgueil. Mais ce n’est pas un homme, c’est un champignon!”

And for those of you who don’t speak French:

“I know a planet where there is a red-faced gentleman. He has never smelled a flower. He has never looked at a star. He has never loved anyone. He has never done anything in his life but add up figures. And all day he says over and over, just like you: ‘I am busy with matters of consequence!’ And that makes him swell up with pride. But he is not a man–he is a mushroom!”

Please, friends, don’t be mushrooms. I think the world has enough of those already.

Charge of the Light Brigade


By Alfred, Lord Tennyson

Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
“Forward, the Light Brigade!
“Charge for the guns!” he said:
Into the valley of Death
Rode the six hundred.

“Forward, the Light Brigade!”
Was there a man dismay’d?
Not tho’ the soldier knew
Someone had blunder’d:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.
More

Le Message


This is a poem by Jacques Prevert, a French poet ca. 1950. Found it in my grammar book of all places, and (though I HATE grammar) I thought it deserved a spotlight.

Le Message

La porte que quelqu’un a ouverte
La porte que quelqu’un a refermĂ©e
La chaise oĂą quelqu’un s’est assis
Le chat que quelqu’un a caressĂ©
Le fruit que quelqu’un a mordu
La lettre que quelqu’un a lue
La chaise que quelqu’un a renversĂ©e
La porte que quelqu’un a ouverte
La route oĂą quelqu’un court encore
Le bois que quelqu’un traverse
La rivière oĂą quelqu’un se jette
L’hĂ´pital oĂą quelqu’un est mort.

The Message

The door that someone opened
The door that someone closed
The chair on which someone sat
The cat that someone petted
The fruit that someone bit into
The letter that someone read
The chair that someone tipped over
The door that someone opened
The road that someone ran down
The woods that someone crossed
The river in which someone jumped
The hospital where someone died.

Cain and Abel


The sun cast its last, blood red, sorrowful rays upon the fading image of the desert, the wide expanse of dry, barren sand stretching endlessly in all directions. Those of God’s people who were cautious and wise were in their tents, hiding from the brutal cold and the dark uncertainty of night. The final jet of glittering crimson light highlighted the silhouette of a man, walking towards tall stalks and large bushes, a jug clutched in his left hand.

His name was Cain. He was young, neither handsome nor ugly, appearing as bland as the sand covering the ground around him. He stepped away from the desert, onward towards the bushy shapes in the distance, until he arrived at his destination. There, barely recognizable in the dark blue night, a small plot of land where white sand should have lain was painted with dark, fertile soil. Huge green stalks of grain, squat olive trees, and rows upon rows of green shrubs erupted from the spot. It was a place unique in all the land; for miles and miles around the small patch one could not find a place so lush as this.

Cain breathed deeply as he entered the garden. The soft scent of azalea buds danced into his nostrils, accompanied by the green, earthy smell of tomato vines and the heavy scent of sweetest grapes. He bent low over a row of small sprouts, surrounded by the ethereal glow of the rising moon glinting off their leaves.

“There, there,” he muttered, gently stroking dirt off of one of the plant’s leaves. He sat there in silence for a moment, his grubby hand still resting delicately on the pocket of green.

“Oi,” A loud, sharp voice attacked the peaceful silence. “Cain. Get back inside, Read more…

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